ERM · Visual artist · Stockholm

Forgotten
Timeline

Paintings, objects and moving images from an imagined popular culture. An ongoing project by ERM.

Selected works
ERM with his painting and Robo Prototype sculpture
ERM · Forgotten Timeline

01 / SELECTED WORKS

Selected works

Painting, sculpture and moving image · 2025–2026

COMMERCIAL ARTEFACTS / 01 & 02
COMMERCIAL ARTEFACTS / 01 & 02Acrylic on MDF boxes · 75 × 50 × 35 cm and 135 × 90 × 50 cm · Unique · 2026
ROBO PROTOTYPE / UNIT 01
ROBO PROTOTYPE / UNIT 01Additively manufactured PLA on painted pedestal · 50 × 25 × 25 cm · Unique · 2026
LOST TRANSMISSION / BROADCAST 01
LOST TRANSMISSION / BROADCAST 01CRT television, looped digital video · 40 × 50 × 70 cm · Unique · 2026
ROBOZILLA / FRAGMENT 01
ROBOZILLA / FRAGMENT 01Acrylic on canvas · 150 × 100 cm · 2026

02 / IN THE STUDIO

Building the world

The studio is where the graphic world of Forgotten Timeline takes on a physical presence. ERM moves between canvases, painted objects and screen-based work, testing how a character changes with its scale and surroundings. Close up, the painted surfaces reveal marks and irregularities that sit alongside the clarity of the outlines.

ERM working on the Robozilla painting
Robozilla · Work in progress
Close-up of a green robot on Robo Pops showing the painted surface
Robo Pops · Painted detail
Robot figure amid colourful signal interference
Lost Transmission · Still image

LOST TRANSMISSION

A broadcast from elsewhere

Lost Transmission presents a looped video on a CRT television. Robot figures appear through colour and signal interference, suggesting a broadcast with a history of its own. The television becomes a physical artefact within Forgotten Timeline: a screen carrying images from the same imagined culture as the paintings and objects around it.

03 / FORGOTTEN TIMELINEARTIST STATEMENT

Familiar,
interrupted,
almost remembered.

“I am interested in the moment when something invented begins to feel remembered.”

Forgotten Timeline is a world I build through painting, sculpture, objects and moving image. I think of each work as a fragment of a popular culture that never existed: a character, a product or a broadcast that seems to have arrived from another history.

I draw on the comics, animation, advertising and television I grew up with in the 1980s and 1990s. Their colours, rhythms and ways of telling stories have stayed with me. I return to that visual language to explore how an image can feel familiar before we know what we are looking at, and how easily recognition can turn into a sense of memory.

The Robos give this world its inhabitants. They move between canvases, painted boxes, sculptural bodies and screens. I am interested in what happens to a figure as it moves between these forms. A face on a canvas meets the viewer differently from an object that occupies the same room. Repetition establishes a connection, while changes in scale and material make each encounter distinct.

The bright colours and direct graphic language invite an immediate response. Beneath that first encounter, I leave the history incomplete. A package suggests a product, a screen suggests a programme, and a recurring character suggests stories beyond the work itself. I want to leave enough space for viewers to bring their own memories to this invented world.

04 / EXHIBITION VIEW

Forgotten Timeline at Helix Art Space

Solo exhibition · Stockholm · June 2026

ERM beside Clank and Zap Zap at Helix Art Space
Forgotten Timeline · HAS / Helix Art Space · 2026
ERM signing a Robo Pops print with visitors at the exhibition
Forgotten Timeline · With visitors at Helix Art Space
ERM standing beside the large Robo Pops painted box
Robo Pops · ERM with the work

05 / FURTHER WORKS

Further works

ZAP ZAP! / FRAGMENT 17
ZAP ZAP! / FRAGMENT 17Acrylic on canvas · 116 × 89 cm · 2025
SWOSH! / FRAGMENT 24
SWOSH! / FRAGMENT 24Acrylic on canvas · 116 × 89 cm · 2025
CLANK! / FRAGMENT 08
CLANK! / FRAGMENT 08Acrylic on canvas · 120 × 100 cm · 2025
EMOTIONS / INDEX 01
EMOTIONS / INDEX 01Acrylic · 16 parts, 40 × 40 cm each · 2026

06 / WORK IN DEVELOPMENT

Robo Zero

Digital visualisations of proposed works

Study of a framed large-format Robo Zero painting on a gallery wall
ROBO ZEROProposed large-format painting · Digital visualisation · 2026
Study showing twelve small Robo Zero paintings arranged on a gallery wall
ROBO ZERO / INDEX 0112 individual works · 20 × 20 cm each · Digital installation visualisation · 2026

07 / EXHIBITIONS

Exhibitions

NEXT / STOCKHOLM

THE REVEAL OF ZERO

Fabriken / Artist Arena17 September 2026

ONE NIGHT ONLY / STOCKHOLM

THE 3RD PUBLIC

HAS / Helix Art Space1 October 2026
2026

FORGOTTEN TIMELINE

Solo exhibition · HAS / Helix Art Space · Stockholm

2026

ELECTRIC EMOTIONS II

Artist Arena Market · Gothenburg

2026

ELECTRIC EMOTIONS I

Artportable Showroom & Gallery · Stockholm

2025

A DAY IN THE LIFE OF THE ROBOS

Solo exhibition · Galleri 86 · Stockholm

08 / COLLABORATIONS

The 3rd Public

Through The 3rd Public, ERM works with Mav and Earz on collaborative pieces and live painting. The artists bring their own visual languages to shared work, making and responding to one another in front of an audience.

Instagram / @the3rdpublic
The 3rd Public artists together outdoors
Mav, Earz & ERM - The 3rd Public
ERM painting a yellow Robo Zero canvas at the easel in his studio
In the studio · Robo Zero in progress

09 / ABOUT ERM

ERM

ERM (Emanuel Ringborg Mankert) is a Swedish visual artist based in Stockholm, working across painting, sculpture, objects and moving image.

His practice draws on the graphic intensity of comics, the repetition of advertising and the characters that populate popular culture. Bold outlines, saturated colour and a recurring cast of robots form a visual language that moves between images and physical objects. Its humour and apparent simplicity make room for questions about memory, recognition and the emotional attachments people form to invented figures.

Forgotten Timeline is the ongoing world at the centre of his work. Paintings, oversized packaging, sculptural figures and fictional broadcasts become traces of a cultural history assembled by the artist. The works offer different ways into that history, from an encounter with a single character to an installation in which images, objects and screens occupy the same space.

ERM brings a background in creative direction and brand strategy to his art. His familiarity with how images attract attention and acquire meaning informs the work, while the studio gives him space to make those familiar visual codes strange, ambiguous and personal.

Contact the studio